Asteroid City (2023)

I didn’t enjoy Wes Anderson’s latest film, Asteroid City, despite its star-studded cast and promise of meticulous attention to detail. The movie takes us on a whimsical journey to a space-obsessed desert town in the 1950s but ultimately falls short of being significant or entertaining.

The plot revolves around a TV show that explores the theme of creativity and blurs the lines between reality and fiction. While Anderson’s signature style and visual flair are evident, the execution feels convoluted and self-indulgent. The characters lack depth, and their quirky traits overshadow genuine emotional connections.

Despite the commendable performances by Jake Ryan, Scarlett Johansson, and Tom Hanks, the characters feel underdeveloped. The attention to detail in the production design and set pieces is impressive but sometimes overwhelming. The score complements the whimsical tone of the film but lacks a standout musical theme.

The use of colour and special effects are seamlessly integrated into the story, and the cinematography captures the beauty of the desert landscape. However, the editing feels uneven, with slow exposition and rushed resolutions. The dialogue is witty but often detached from genuine emotion.

While Asteroid City showcases Anderson’s unique style and attention to detail, the convoluted plot and underdeveloped characters prevent it from reaching its full potential. The film is visually captivating but ultimately falls short of delivering a cohesive and emotionally resonant experience.

(In cinemas in Australia – check your local movie guide for show times.)