EO (2022)

EO (2023) is a poignant tale that revolves around the life of EO, a donkey who forms a unique bond with Kasandra, a young showgirl in a Polish circus. The film, directed by Jerzy Skolimowski, chronicles EO’s journey across Europe after being rescued from captivity by animal rights activists. Throughout his odyssey, EO encounters a diverse array of benevolent and malevolent characters, experiences moments of pleasure and agony, and bears witness to the magnificence and brutality of the natural world and human society. Despite the challenges he faces, EO retains his inquisitiveness and retains his innocence.

Having heard much about EO before viewing it, I was impressed by the film’s ingenuity. It is a work of art that elicits emotions of sadness. The cinematography is superb, with most of the scenes shot from EO’s point of view, allowing us to become engrossed in his experiences. Looking into EO’s eyes, we can sense his vulnerability and despair.

The filmmakers have shown a deep concern and empathy towards nature, animal welfare, and environmental degradation. They achieve this by contrasting the beauty of nature with the pain and suffering that EO endures.

EO is a film with minimal dialogue. Instead, the style is more poetic and impressionistic than a conventional movie. The soundtrack is delightful, encompassing an array of musical genres ranging from classical to rock, and it adds to the film’s emotional resonance.

I enjoyed watching EO and was captivated by EO himself (portrayed by six donkeys). The short film is only 1 hour and 28 minutes, but it can sometimes feel slow-paced. EO is more of a sensory experience than a conventional film and may not appeal to everyone. However, I recommend EO to those who appreciate unique, exquisite, and touching cinema.

(In limited release in cinemas in Australia – check your local movie guide for show times.)