Evil Does Not Exist (2023)
Original Title: Aku wa sonzai shinai (悪は存在しない)
Ryûsuke Hamaguchi’s Evil Does Not Exist is a very slow burn of a film, a character study disguised as an eco-drama. Nestled in the serene Mizubiki Village, a community thrives on a deep connection to nature. Their tranquility is shattered by the arrival of slick Tokyo suits proposing a glamping resort—a luxurious “escape” to nature for city dwellers. What follows is a clash of values, a meditation on the complexities of progress, and the blurry line between good and evil.
Hamaguchi doesn’t hit us over the head with environmental messages. Instead, he lets the beauty of the Japanese countryside speak for itself. Lush forests and tranquil rivers become characters, a stark contrast to the sterile, neon-lit world the city reps represent. This visual poetry is amplified by the film’s score, a melancholic blend of strings and woodwinds that perfectly captures the tension between tradition and modernity.
The acting is understated, mirroring the film’s pacing. Hitoshi Omika, as Takumi, the gruff but conflicted villager, delivers a nuanced performance. We see his internal struggle—the fear of change wrestling with the desire to protect his way of life. The Tokyo reps, played by Ryô Nishikawa and Ryûji Kosaka, are initially portrayed as villains, all smiles and empty promises. However, as the film progresses, their own vulnerabilities peek through, reminding us that there’s rarely a clear-cut bad guy in real life.
The plot of Evil Does Not Exist unfolds deliberately, sometimes feeling glacial. There are long stretches of dialogue that, while beautifully written, could test the patience of viewers expecting a more action-oriented film. The ending, too, occurs at a point where there is no resolution to the story, leaving us to scratch our heads wondering what might happen rather than being told. But there is a reason for this. By ending the movie (but not the story) in this way, Hamaguchi forces us to confront our own perspectives on the story, a tactic that might backfire for those seeking easy answers. There aren’t any.
This won’t be a film for everyone. Forget it if you want a fast-paced thriller. You will be disappointed. However, if you appreciate slow cinema and nuanced character studies, Evil Does Not Exist offers a rewarding experience. While the untranslated credits rolled, I just sat there, reflecting on our relationship with nature, the allure of progress, and the shades of grey that exist between good and evil. If you enjoyed contemplative films like Burning or Drive My Car (I enjoyed Evil Does Not Exist more), Evil Does Not Exist is definitely worth a watch. Just be prepared for a slow burn and an ending that will leave you pondering.