Goodrich (2024)
Goodrich is a melancholy dramedy about Andy Goodrich (Michael Keaton), a busy art dealer whose life takes an unexpected turn when his wife enters rehab, leaving him to care for his infant twins. As Andy attempts to reconcile his work life with his new parental responsibilities, he must also confront his poor relationship with his pregnant adult daughter, Grace (Mila Kunis).
Keaton’s performance as the lovely but damaged Andy is the film’s pulsating heart. He brings his customary wit and humanity to the part, making Andy’s transformation from self-absorbed businessman to devoted parent both credible and touching. Kunis holds her own as Grace, delivering layers of pain and hope with nuanced complexity.
The film’s strength rests in its examination of family relationships and human development. Director Hallie Meyers-Shyer tells a pleasant, realistic story without resorting to preachy rhetoric. Instead, she lets the characters’ actions and relationships speak for themselves, allowing the viewer to empathise with their challenges and achievements.
While the story isn’t new, the writing includes enough humour and heart to keep things interesting. The dialogue feels natural, with well-placed quips. There is a particularly moving sequence in which Andy and Grace eventually confront their past, demonstrating both performers’ ability to blend humour with real sorrow.
Visually, Goodrich is delightful. The cinematography captures the sun-kissed beauty of Los Angeles, from sophisticated art galleries to cosy family homes. Andy’s personal story is quietly reflected in the production design, which shows his home gradually transitioning from a bachelor pad to a lived-in family place.
The film’s tempo, however, can be uneven. Some scenes take longer than necessary, while others appear rushed. The subplot of Andy’s bond with another father, Pete, seems underdeveloped and primarily acts as a plot device. Another issue is the portrayal of Andy’s wife, Naomi. Her absence for most of the film makes it difficult to fully invest in their connection, leaving a void in the emotional core of the plot. The soundtrack, while decent, is not particularly memorable. It serves its objective in creating the tone, but it loses opportunities to highlight major emotional moments.
Despite its limitations, Goodrich is an enjoyable watch. It is a movie that doesn’t reinvent the wheel but spins it with enough charm and authenticity to keep you interested. The film’s greatest strength is its ability to find humour and warmth in life’s messiest times, reminding us that it’s never too late to develop and evolve.
Is Goodrich a revolutionary work of cinema? No. But it’s a strong, feel-good film that’ll make you smile and maybe shed a few tears. If you’re looking for a heartwarming story about second chances and the value of family, give it a shot. Just don’t expect it to rock your world; it’s a subtle push rather than a seismic upheaval.