Io Capitano (2023)

Io Capitano, meaning “I Am Captain” in English, follows two Dakar, Senegal, teenagers, Seydou and Moussa, as they embark on a moving voyage. Filled with dreams of a brighter future in Europe, they embark on a perilous trek across the Sahara Desert and the unforgiving Mediterranean Sea. Filmmaker Matteo Garrone takes audiences on a stirring journey that confronts the realities of illegal immigration head-on while injecting them with optimism and resiliency.

While the plot itself is relatively straightforward, Io Capitano‘s strength lies in its immersive portrayal of the human experience. The film transcends a mere travelogue, weaving historical and cultural context into the narrative tapestry. We witness the desperation that fuels migration, a stark reminder of the global economic disparity. Garrone doesn’t preach or paint the protagonists as saints; they’re flawed individuals driven by a yearning for a better life. This adds a layer of authenticity that makes their struggles all the more relatable.

The performances are nothing short of remarkable. Newcomer Seydou Sarr, as Seydou, delivers a powerful portrayal of youthful determination slowly withering under the weight of hardship. Talent shines through even in the non-professional actors, lending a raw, unfiltered quality to the film. The camaraderie between Seydou and Moussa is beautifully captured, offering a beacon of light in the face of adversity.

Garrone masterfully establishes the film’s tone. It’s a slow burn, mirroring the arduous nature of the characters’ journey. The documentary-style camerawork throws us right into the thick of things, making the dangers and deprivations all the more palpable. The lack of a bombastic score allows the natural sounds of the environment and the characters’ voices to take centre stage, further amplifying the film’s realism.

Cinematographer Paolo Carnera takes full advantage of the vast landscapes, capturing the unforgiving beauty of the desert and the ominous vastness of the sea. The use of colour is particularly noteworthy, changing to reflect the emotional journey of Seydou and Mouusa. The visual shifts effectively underscore the characters’ loss of innocence and the harsh realities that await them.

The editing is deliberate, building tension without resorting to cheap thrills. Pacing can feel slow at times, but it allows us to fully absorb the characters’ physical and emotional struggles. The dialogue, a mix of French, Italian, and Wolof, adds another layer of authenticity, even if viewers rely on subtitles. 

Io Capitano isn’t without its shortcomings. Even though it leaves room for optimism, some may find the ending to be a little too convenient. There are also moments where the film’s handheld camerawork can feel shaky and distracting.

However, these minor quibbles don’t detract from the film’s overall impact. Io Capitano is a powerful and thought-provoking cinematic experience that lingers long after the credits roll. It inspires empathy, reminding us of the human cost of global inequality. Watch Io Capitano if you want to see a film that delves into a complicated issue with humanity at its heart and is both visually stunning and brutally honest. Just be prepared for a journey that’s as emotionally draining as it is ultimately hopeful.

(In cinemas — check your local movie guide for show times.)