May December (2023)
Twenty years after their scandalous love affair creates a frenzy in the tabloids, Gracie and Joe, an ordinary couple, find their past resurfacing when Elizabeth, an ambitious actress, becomes determined to use their story for her next major project. Directed by the intriguing Todd Haynes, May December delves into the complex world of memory, exploring the intricacies of love, truth, and society’s insatiable desire for public consumption.
Haynes intertwines historical context into the storyline. Set in 2003, amidst post-9/11 anxieties and the rise of reality TV culture, these elements subtly shape the motivations of the characters and highlight society’s fascination with their unconventional relationship. This exploration adds depth to the central conflict beyond just personal drama.
Thematically speaking, May December is like a mosaic. It delves into power dynamics influenced by age differences, challenges posed by fame’s weighty burden, how memories can be shaped over time, and ethical questions regarding exploitation. While ambitious in its scope, not every theme is explored with clarity; some feel underdeveloped and left me craving more depth.
Nonetheless, it’s undeniable that the performances in this film are captivating. Julianne Moore delivers a nuanced performance as Gracie, a woman who wrestles with the demons of her past while bearing the weight of public scrutiny. Charles Melton stands out as Joe, portraying the agony and lingering resentment that come from being forever defined by a teenage relationship. Natalie Portman’s enigmatic portrayal of Elizabeth keeps us guessing with her changing demeanour, although her character’s motivations remain somewhat unclear.
Some of the music in the film, such as the harsh score from 1971’s “The Go-Between,” really brings the scenes to life. The film’s engaging storytelling is aided by the visual effects and editing methods, which deepen the emotional resonance of the story. Colour, production design, and cinematography all work together to perfectly convey the film’s tone, which alternates between drama and humour.
May December is not a film for those seeking lighthearted entertainment. It challenges us with its thought-provoking nature, leaving a lasting impact afterwards. Personally, I found its exploration of the complexity of memory particularly resonating—a reminder of how our past experiences can distort our perception of reality in certain ways. However, it must be acknowledged that uneven pacing and underdeveloped themes prevent it from reaching greatness.
(In cinemas — check your local movie guide for show times.)