January 29, 2026 Somebody to Love (2025) Original title: Follemente Paolo Genovese’s Somebody to Love takes a swing at something audacious: it wants to show us what actually happens inside people’s heads… READ MORE
January 27, 2026 Primate (2026) Johannes Roberts has spent his career occupying a particular space in modern horror: the director who shows up, does the job, and leaves without making… READ MORE
January 26, 2026 Marty Supreme (2025) Josh Safdie’s first solo directorial outing since the Safdie brothers went their separate ways confirms what many suspected: he’s the one who brought that particular… READ MORE
January 25, 2026 The Secret Agent (2025) Kleber Mendonça Filho’s The Secret Agent drops you into the sweltering paranoia of 1977 Brazil and leaves you there for nearly two and a half… READ MORE
January 25, 2026 28 Years Later: The Bone Temple (2026) Nia DaCosta’s 28 Years Later: The Bone Temple is difficult to pin down. Filmed back-to-back with its predecessor, this immediate sequel makes no attempt to… READ MORE
January 19, 2026 David (2025) Angel Studios’ animated biblical musical David represents another venture into faith-based cinema, a sector that has been steadily carving out theatrical real estate in recent… READ MORE
January 17, 2026 Christy (2025) David Michôd’s biographical drama about pioneering female boxer Christy Martin delivers a solid portrait of talent meeting tenacity, even if the film sometimes can’t quite… READ MORE
January 16, 2026 Hamnet (2025) Chloé Zhao’s Hamnet operates within what you might call an uncomfortable paradox. It takes literature’s most celebrated meditation on death and mortality, traces it back… READ MORE
January 5, 2026 The Choral (2025) Something feels appropriate, almost inevitable, about a film centred on Edward Elgar’s The Dream of Gerontius that never quite lifts off into transcendence itself. Nicholas… READ MORE
January 3, 2026 Song Sung Blue (2025) Craig Brewer’s Song Sung Blue faces a challenge familiar to anyone who’s attempted karaoke: how do you honour the original without becoming a pale imitation?… READ MORE