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December 11, 2025

Eternity (2025)

Death, we are told, is the great simplifier. Except when it isn’t. David Freyne’s afterlife romantic comedy asks what happens when dying doesn’t resolve your… READ MORE

December 7, 2025

Lurker (2025)

Alex Russell’s first film as director asks a straightforward question: what happens when proximity becomes the only thing that matters? Lurker tracks Matthew (Théodore Pellerin),… READ MORE

December 4, 2025

Now You See Me: Now You Don’t (2025)

Third time’s the charm, they say. Except when it isn’t. Director Ruben Fleischer’s contribution to the Now You See Me franchise faces an unenviable task:… READ MORE

December 1, 2025

Wicked: For Good (2025)

Jon M. Chu’s second helping of all things Oz-related manages something increasingly rare in blockbuster filmmaking: it trusts you to think. Not constantly, mind you…. READ MORE

November 22, 2025

Black Phone 2 (2025)

Scott Derrickson had a problem on his hands. How do you continue a story that wrapped up rather neatly with the villain dead and the… READ MORE

November 21, 2025

Christmas Karma (2025)

Gurinder Chadha understands cross-cultural storytelling. Bend It Like Beckham proved that. So when she turns her attention to Dickens’ most recycled tale, transforming Scrooge into… READ MORE

November 19, 2025

The Running Man (2025)

Stephen King wrote his book The Running Man in 1982, setting his dystopian nightmare in the year 2025. Well, we’ve arrived, and the uncomfortable truth… READ MORE

November 17, 2025

Predator: Badlands (2025)

There’s something audacious about taking your franchise’s iconic monster and asking audiences to care whether it lives or dies. Dan Trachtenberg has already proven himself… READ MORE

November 15, 2025

Die My Love (2025)

Lynne Ramsay hasn’t directed a feature in over a decade, and Die My Love feels like the sort of project that accumulates during a long… READ MORE

November 10, 2025

Diabolic (2025)

In cinemas 20 November Daniel J. Phillips has made a possession film that doesn’t feel like it’s apologising for being a possession film. That alone… READ MORE

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Steve Parker
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