Priscilla (2023)

Sofia Coppola’s Priscilla aims to offer a glimpse into the confined world of Elvis Presley’s marriage. However, despite its beauty, it falls short and becomes a bit aimless. We are introduced to 14-year-old Priscilla, who is filled with wonder and admiration when she meets the King himself at a US Army base in Germany. Their whirlwind romance quickly propels her into a realm of fame and suffocating isolation.

Coppola’s visual style is exquisite. The grandeur of Graceland shines with opulence, creating a contrast with the dull military town that Priscilla leaves behind. Yet this splendour feels hollow, reflecting the emptiness of Priscilla’s confining existence. Through camerawork that rarely ventures beyond the manicured walls of the mansion, we witness how it transforms into a shimmering prison as Elvis sinks into drug-induced paranoia and controlling behaviour.

Regrettably, the film falters in how it unfolds its narrative. While Cailee Spaeny beautifully captures Priscilla’s innocence, her transition into a woman feels rushed and lacks proper development. Jacob Elordi portrays Elvis; however, he fails to exude the captivating magnetism that should have enthralled both Priscilla and us as viewers. The central relationship between them feels distant, devoid of the spark that ignited their whirlwind romance.

The screenplay heavily relies on tension and lingering gazes. Its impact diminishes when these elements are strung together without engaging dialogue or emotional payoff. We catch glimpses of the cracks in their facade—Elvis’s possessiveness and Priscilla’s suppressed ambitions—but the film avoids delving into these issues, leaving us with a superficial portrayal.

Because Elvis Presley Enterprises refused to approve the movie or allow Elvis Presley’s music to be used, the soundtrack consists of alternatives organised by Coppola. It feels more like a collection of greatest hits than a cohesive score that enhances the story. The cinematography and editing, though technically flawless, fail to infuse the film with the energy required to drive the narrative.

Priscilla is visually stunning, offering a glimpse into the Presleys’ world. However, it lacks the depth and narrative momentum to captivate us. It moves at a pace like a waltz that leaves you yearning for the raw passion and explosive energy that defined both Elvis and his Queen, both on stage and off.

For die-hard Presley fans looking for insights into the couple’s lives, Priscilla provides a visually breathtaking experience despite feeling emotionally distant. However, for those seeking an absorbing character study or significant insights, this golden cage may best be admired from afar.

(In cinemas — check your local movie guide for show times.)