The Convert (2023)
The Convert, director Lee Tamahori’s latest historical epic, takes us on a journey to 1830s New Zealand, a land simmering with tribal tensions on the precipice of British colonisation. We meet Munro (Guy Pearce), a disillusioned former soldier turned lay preacher who arrives at a fledgeling British settlement. When he’s caught in the crossfire between warring Māori tribes, Munro’s faith and identity are put to the ultimate test.
Tamahori doesn’t shy away from the complexities of this period. The film beautifully portrays Māori culture, from intricate haka dances to the spiritual significance of moko (facial tattoos). There’s a refreshing lack of subtitles for some te reo Māori dialogue, forcing us to immerse ourselves in the world and appreciate the characters’ communication struggles. This commitment to authenticity extends to the production design, with meticulously crafted costumes and settlements that transport us back in time.
The Convert occasionally stumbles in its attempt to balance historical accuracy with crowd-pleasing action. The fight choreography, while intense, can veer into slightly unrealistic territory at times. Likewise, the film flirts with the “white saviour” trope in the first act, although Munro thankfully develops a more nuanced relationship with the Māori characters as the story unfolds.
The performances elevate the film. Pearce delivers a solid portrayal of a man grappling with his past and purpose. But it’s Tioreore Ngatai-Melbourne as Rangimai, a fierce Māori warrior, who truly steals the show. Her performance is brimming with raw power and vulnerability, making Rangimai a character we can’t help but root for. The supporting cast is equally strong, fleshing out the Māori community and the fledgeling British settlers.
The sweeping cinematography captures the breathtaking beauty of New Zealand’s landscapes, with rolling hills and lush forests contrasting with the harsh realities of tribal warfare. The score is appropriately evocative, using traditional Māori instruments alongside a more modern orchestral sound. The editing is generally crisp, keeping the pace steady without sacrificing character development.
The Convert isn’t a perfect film, but it’s a compelling one. It’s a visually stunning and thought-provoking exploration of cultural clash, faith, and the fight for survival. While the action sequences might not be the most grounded and the narrative occasionally flirts with clichés, the film’s commitment to historical authenticity and the strength of its performances ultimately won me over. If you’re looking for a historical epic that’s both beautiful and thought-provoking, The Convert is definitely worth a watch. Just be prepared for a bumpy ride along the way, but one that ultimately leads to a rewarding destination.