The Whale (2022)

There is something that doesn’t quite hit the mark in THE WHALE, but it is still a worthwhile movie to watch. Charlie, a reclusive English teacher suffering from severe obesity, attempts to reconnect with his estranged teenage daughter in a desperate bid for redemption. With his time running out and his health failing, Charlie must fight his way through his self-imposed isolation and the walls he’s built up around him to find the courage to open up to his daughter and to find a way to make amends.

Brendan Fraser, who plays Charlie, does an incredible job of conveying the complex emotions and struggles of being overweight. His performance is convincing and heartbreaking as he battles his physical limitations while attempting to build a bridge between himself and his daughter. Fraser’s portrayal of Charlie is believable, allowing us to empathise with him despite his flaws.

THE WHALE also features impressive performances from young actor Sadie Sink (Charlie’s daughter, Ellie) and Hong Chau (Liz, Charlie’s best and only friend). Sink does an excellent job of portraying the tension between Ellie and her father, as well as conveying the emotions of an adolescent trying to cope with an absent parent. Chau is also excellent in her role, providing much-needed comedic relief while still being able to convey genuine emotion and concern for Charlie.

THE WHALE occurs almost entirely in Charlie’s apartment. This setting allows the film to focus on the personal drama between Charlie and Ellie and provides a claustrophobic atmosphere that enhances the sense of desperation and isolation. Director Darren Aronofsky uses this limited space to significant effect, creating an intimate portrait of two people struggling with their issues while trying to bridge the gap between them.

The cinematography in THE WHALE is also noteworthy. The camera often lingers on Fraser’s face or body for extended periods, allowing us to fully appreciate the physical and emotional toll that Charlie’s condition has taken on him.

Unfortunately, THE WHALE suffers a few shortcomings that prevent it from being genuinely great. The pacing is sometimes slow, with some scenes dragging on longer than necessary. The film also lacks much plot development or character growth, leaving some characters feeling one-dimensional and underdeveloped. It also seems, at times, to have the feel of a stage production rather than a fully-fledged cinematic experience.

Despite these issues, THE WHALE is an emotionally resonant film worth watching for its performances alone. It may not be perfect, but it is a thought-provoking and poignant film that will leave you with much to ponder.

(In cinemas in Australia – check your movie guide for your local show times.)