Emily (2022)

EMILY surprised me. I was expecting a run-of-the-mill period biopic, but it quickly took a turn for toward the extraordinary. Little is known of Emile Brontë. So, Frances O’Connor has embraced the freedom of the absence of historical information to make a riveting fictional, yet authentic-feeling story. The result is a beautiful and mesmerizing exploration of the life of one of the world’s most influential authors.

The film follows Emily Brontë as she discovers her passion for writing and begins to craft what would become one of the most beloved novels of all time. We see her struggles with family dynamics and gender expectations, along with her love affair with local curate Weightman.

The acting is superb, particularly from the lead actresses playing Emily (Emma Mackey) and her younger sister Charlotte (Alexandra Dowling). Their interactions are a highlight of the film, demonstrating the bond between the sisters despite their different ambitions and ideals. The chemistry between Emily and Weightman is also well portrayed, making for some genuinely touching moments.

The visuals are stunning, from the stormy Yorkshire moors to the grandiose period settings. The costume design and cinematography bring Emily’s world to life in vivid detail, making it feel like a living, breathing place.

EMILY is an enjoyable and thought-provoking film that deserves more attention than it’s been getting. It captures Emily’s struggles with poignancy and humour, without ever feeling over-sentimental or melodramatic.

Director, Frances O’Connor, has crafted a beautiful and powerful movie that accurately captures the spirit of Emily Bronte’s work.

(In cinemas in Australia – check your movie guide for your local show times.)